Writing a Story is Like Learning to Cook

You know that moment, when you taste something amazing? Maybe you're at a restaurant, or it's one of your grandmother's famous recipes. When you finish eating, you look down at your empty plate and you think, "I have to eat this again."

There are ways to make this happen. You can keep coming to the restaurant, you can beg your grandma to make more, or maybe... just maybe... you can make it at home. 

When that thought enters your mind, you have to assess your time, your talent in the kitchen, and how difficult the recipe will be. Do you have the patience? Can you figure out the ingredients? Will you ever be able to make something that tastes this great?

When you have complete control over what goes into the dish, maybe your creative side goes a little crazy. "You know, it could be really good with fresh mint... Ooh! Or basil!"

But you need to be careful. Too much creativity can get in the way of what you're really trying to achieve: yummy culinary goodness.

Weaving a good story is like nailing the recipe that has haunted you ever since you tasted it.

Like cooking, writing a story can be dangerous if you don't balance knowledge and creativity. You don't want to wind up with cheesy-banana trout. You want your readers to get joy from your book. You want make a book that's magical, the way other authors have done for you.

But if it's not fun, you're probably doing it wrong. When I stress out about a book, or do so much research my brain hurts, it comes out in my story. The characters get boring. The tension falls flat like an under-cooked souffle.

I'm still fairly new at this writing thing. Cognitive psychologists tell us it takes ten years before a writer reaches excellence. I've been going strong for about 6 now. And like my cooking skills, my writing is inconsistent. Sometimes I write something that would make my readers turn green. So I go back, I chop out the rough parts of the story, rearrange some key elements, and beef-up the personality of my characters. I find the weak spots and figure out what I can add to balance the story or make it richer.

The beauty of writing is: the reader doesn't see every draft.

My early draft work is a pile of failed attempts. Eventually, I get something I think is publishable, but there's always work involved that isn't seen by the rest of the world.

No matter what you want to get good at, there's work that goes on behind the curtain.

But if it's something you really want, and if you put in enough effort (and patience and sacrifice), you can make something worthwhile.

The Heartache of a Good Book

Merry Christmas, everyone! I love getting books as presents,so leave a comment for a chance to win a free ebook! (Your choice, Fairy Tale Trap or Cinderella & Zombies). Deadline is the end of the year.

Have you ever been in love? Have you ever cared so much about a person, be it a spouse, child, boyfriend/girlfriend, or dear friend that it physically hurts you to think about losing them?

Why is a good book like that? I sometimes call them magical books because of the effect they have on me. Magic is the only way to describe it.

You know what I mean (or at least, I hope you do so I don't feel crazy). While I'm reading a truly awesome book, I sometimes get a tightness in my chest. And that feeling that makes me keep reading. A good book demands that I give up sleep. It plagues my thoughts during the day. I make excuses to sneak of and spend time with that book. It's addicting.

Just like being in love.

But why to good things make us do crazy things? I think we can all agree that love is good. A good book is, by definition, good. Yet, we're talking about chest pain and sleep deprivation. It sounds like torture.

I'm sure there are a lot of really complicated, very different answers to this question, but here's my best guess:

That there's always a balance. High highs come with high risk, but we love it. We seek it. Because the height of emotion is the height of human experience.

What are your thoughts? Why have you chosen the life of a fiction junkie?

The Big Ten Books

I'm on a mission. I want to find 10 books that are magical. Ten books that I can't put down, that make me a self-proclaimed bookworm. You know the type. We all have them, I think. Some of us don't read as much as we used to, so our "magical books" are from our childhood. (As a side note, I think a lot of kids today don't read. I don't know that they have magical books and that breaks my heart.)

There are a few that were magical for me in my childhood. The one that stands out the most in my mind is Ella Enchanted by Gail Carson Levine. That book made me stay up all night, laugh out loud, and sob like a baby. Ms. Levine is the person who encouraged me the most to start writing. So yeah, Ella Enchanted is on my 10 Magical Books List.

What is this list for? Well, as writers, we can learn by reading. But we can learn a TON by reading like writers. I want to find ten books that are amazing, for one reason or another (or several) so I can pick them apart and find out what makes them tick. What about this scene brought out an emotion? Why do I love/hate this character? Why do I root for that character? Why do I feel as if this world is a real place? Why do I care so much about what happens next?

I want books that I wish I had written, books that can help my writing. Right now, I write Young Adult Fantasy. I want some books on my list that are classics, some that are brand-spanking new, and some that are just my personal favorites or hopefuls. I want a wide variety of books with a wide variety of strengths.

So far, here are the books on my list (and the biggest reason why):

1) Ella Enchanted by Gail Carson Levine (emotional impact, relatable characters, romance)
2) Harry Potter and the Sorcerer's Stone by J.K. Rowling (world building, sympathetic protagonist)
3) The Lightning Thief by Rick Riordan (voice, humor, worldbuilding)
4) The Goose Girl by Shannon Hale (creating constant conflict and raising the stakes, romance)

Books I have in my To-Read Pile that I hope will be magical:

1) Graceling by Kristin Cashore
2) Hush, Hush by Becca Fitzpatrick
3) Gossamer by Lois Lowry
4) Immortal by Gillian Shields

Books on my tentative/maybe list:

1) Twilight (character building/showing but not necessarily the characters themselves)
2) Fairest by Gail Carson Levine
3) Harry Potter and the Order of the Pheonix (action sequence, emotional development)
4) The Ruby Key by Holly Lisle (fantastic plot and world building, how to create doubt and emotion by showing, best ending ever, but not the most fantastic example of YA fiction, in my opinion. Also, I've learned a lot of Holly's techniques from her course, which may save me some trouble)
5) Something by Madeleine L'Engle
6) Something by Bruce Coville (another childhood favorite)

I have a lot more maybe books, but I want to get through the four to-reads I listed above before I delve into those.

What magical books make your list?