Writing After Life Kicks You in the Teeth

I always thought that writer's block wasn't a real thing. That you could just sit down and start writing, and eventually you would figure out what should happen next. I wrote for over seven years and hadn't ever experienced a block that I couldn't work free of in an hour. Free writing, brain maps, and character interviews are all useful for that sort of thing. I've even written ridiculously impossible scenes before and then edited them into coherency.

Then my life blew up.

It's not that I didn't have time to write. Everyone has time to write, if they make it a priority. (Or so I've been told.) But my life was falling apart, and I felt like I couldn't talk to anybody about it for over a year. And the emotional stress, or depression, or whatever you want to call it (neither of those terms seem quite right) whatever it was, it sucked the creativity out of me. I can't really explain it any other way. I had no desire to be creative or think about stories or even read. Which is kind of a big deal, for me. I didn't read a single book for a year.

Like I said, it's not that I didn't have the time. It's not that I didn't have ideas or something to be working on. (I've been in the middle of Lost Princesses for an embarrassingly long time.) I just didn't. Or couldn't. I'm not sure which.

During that time, I moved twice and took care of my kids, took a few college classes, and prepared to build my life back from the ground up. And I'm still in the middle of that process. But recently, I had a story idea.

Not just any idea. The first idea I've had in a very, very long time. The first inkling that I would ever be able to write again. (The guilt of not finishing my other books had been the only motivation I'd had during that time, and it wasn't enough motivation, obviously.)

I wrote down my idea, sketching out a short story from beginning to end. And I've been kinda excited about it.

And then today, I had an idea on six other related short stories that could become something very cool. Something I've never seen before in fiction. And I got so excited about it that I felt an almost panicky feeling. The feeling that I needed to write. Now.

So I did. I wrote a thousand words today.

I'm not sure what will happen with my writing. I don't know when the next book will come out. But what I can tell you is that I am writing. And it feels awesome.

Adventures in Genre-Hopping: The First Scene

The research and study is going well. I've already learned a lot and I've noticed that my style is changing. I'm still taking classes online when I get the chance, but in the meantime...

It's time to start.

Yeah. The first scene. The big one.

Okay, so it's not quite so dramatic because I can (and probably will) change it a thousand times and then delete it before the final draft. It's part of the job description. I must kill my darlings.

But the first draft is a big step. It's intimidating. I'm staring at a blank page on my computer screen. How am I going to start this? Who is my main character? Where is she?

I want to do this as a Young Adult story, so my main character should probably in high school. And when I write books from solely a male point of view, things go badly. (I haven't finished a single one yet. They just fall apart like a bad batch of brownies.) So she's a teenage girl.

My first idea is that my character needs to be dealing with mundane things until her grandmother shows up and tells her that she's special. She can travel through time and she's needed so the balance of time can be restored.

But that's been done a few times in speculative fiction. Just a few.

So maybe I could change it up a bit. Maybe she could be approached by someone else. Maybe they help her out of a nasty situation and they give her a wonderful opportunity.

Yeah. I like that better.

And it might be a little more fun if my character has some idea of her abilities before the story starts.

And she needs a name. Time to hit the baby names websites...

Finished a Book? Congrats! Now Do it Again.

Before I start, if you're not participating in WriteOnCon, why not?!

That said, I finished my book!

Roses and Mirrors has been done for a while. (This is the book about a sarcastic teenager that gets stuck in a fairy tale. You may have heard of her. Her name is Ivy Thorn and she is awesome.)

I jumped into the query process as soon as I was finished. I blogged about it not too long ago, about how I thrive on rejection and all that happy-sounding stuff. The truth is, rejection really is great. It's the gap of silence between sending the query and hearing a response that is absolutely maddening.

Seriously. And some agents tell you: If we decide to pass, you won't hear back from us. At all.

Really? REALLY? You can't send me a polite form rejection?! How will I know when to stop hoping for a reply? (I know, I'm pathetic.)

But I digress...

Now that I'm done with Roses and  Mirrors, and it's been sent out into the world, I'm moving on. My next book is completely different. That's right, I've gone from fairy tales to zombies.

But before you roll your eyes and say, "I don't like zombies," you should know that this isn't true horror, it's not gross for the sake of gross, and it's not totally far-fetched. This is a character-based story with a strong, witty voice (if I do say so myself) about a guy who happens to struggle with zombism. (If that's not a word, I will take it upon myself to coin it and spread it around the world because it is an awesome word.)

So, I'm working on this book, and when I say "working on" what I really mean is nailing down my premise and researching and building structure so my novel has something to stand on. I'm geeking out over all the cool little facts on biology and pathogens and parasites and neurotransmitters and especially the way the brain works, but I know that very little of it will be in the actual book. Because, let's face it, most people are not as dorky as I am.

But I have to know this stuff. I have to know exactly how my zombies work, where they came from, and--most importantly--where their weaknesses are.

The toughest part about this process is having the ideas and possibilities swirl around in my head. I can't possibly use all of them and I'm not even sure which ones will work.

So my muse is a little crazy right now. My creative side takes a back seat while logical me builds a playground. Creative Muse gives input, but it's about as much input as a kid gives to his dad for how he wants his tree house to look. It still needs to be safe and functional.

That's right. No chocolate milk fountain. :(

Good Story Ideas: Where do they come from?

Helpful writing tips and links have been sparse lately, and I apologize for that. I'm trying to redirect this blog so it has a piece of me in it. I want this blog to be helpful for writers, but I also want it to be MY blog. I'm still trying to find that balance. (Any feedback is appreciated.)

So, getting back that helpful stuff, I thought I'd blog about getting good story ideas.

I haven't been published yet, but I've already been asked The #1 Question Writers Get: "Where do you get your ideas?"

Um... I don't know. They just come to me.

Okay, okay. I've given it some thought. The first decent answer I came up with was: my story ideas come to me just like any idea comes to any person.

Inventors come up with incredible gadgets. Usually, when they answer The Idea Question, they talk about a problem they were having. Then, they'll say,  "So I invented the doohicky-o-matic!"

So... you got your idea from a problem? Didn't the idea come AFTER you had the problem?

Seriously, I think that's how our brains work. We see a problem, and we try to come up with a solution. Some of us are better at it than others. (But is it possible that it just takes practice?)

When I want a story idea, I have to define my problem, with specifics. And no, the problem isn't just 'I need a story idea'. My problem is: I need a character that lacks something, in an interesting setting, with the potential for a lot of problems to happen around him/her while he/she struggles with her own problems. And it needs to be entertaining.

But how can your brain work with garbage like that?

Be more specific!

I want a 70,000-word YA novel with a spunky female protagonist who doesn't know what's good for her, who finds herself in a situation with a fantasy element in it.

Usually, the more specific I am, the faster the ideas come to me. I analyze each idea until I find one I'm excited to work on. (Because, let's be honest, sometimes my ideas aren't all that good.)

Of course, there are other ways I get ideas. I got my idea for Ivy Thorn because friends challenged me to approach writing from a different angle. I wasn't looking for a story idea then.

And I got my idea for my zombie book from the voices in my head a dream I had while I was awake. I wasn't looking for a story idea then, either.

So my Top 4 pieces of advice for coming up with good story ideas are:
1) Be specific with what you want
2) Read a lot
3) Try new things with your writing
4) When an idea does come, pick it apart to see if it has "great idea" potential. If it doesn't, keep trying.

More on story ideas to come...

How to Write A Great Beginning

I've posted on beginnings before, but it was mostly about How Not to Begin Your Novel. Since then, I've found some helpful sources that tell what you should do.

One thing I love about Darcy Pattison is the way things are spelled out so precisely. (I like it when people explain everyday processes into tiny, easy-to-digest pieces.) 12 Ways to Open Your Novel is no different. Seriously, it doesn't get any simpler than this. Here are literally 12 opening lines/techniques that have been successful in the past, complete with examples.

How To Write Your Novel's First Chapter according to C. Patrick Shultz:  POV, setting, a mystery, a fascinating character... these are all great ways to grab a reader. And you need to grab a reader quick.

James Scott Bell has a different approach to a similar task: to Grab Them On Page One, you need to start by stirring the pot. Start at the point where things change for the main character, with a disturbance.

Larry Brooks never ceases to impress. The Single Most Powerful Tool You'll Ever See that Fits on One Page is his fantastic list of must-haves for your story (which centers around how you begin, of course).

I hope these help you as much as they helped me.

How Not to Begin Your Novel

Many of us have heard this cardinal rule: don't use prologues. But we all know there are exceptions, right? When we want to start our story with a prologue, I think we tend to convince ourselves that we're one of the exceptions.

So how can you tell? Agent Kristin from Nelson Literary Agency posted Why Prologues Often Don't Work. Kristin doesn't pull punches and isn't afraid to tell you exactly what's wrong with your prologue. Odds are, you should cut it altogether. (I know, it's heartbreaking.)

Once the prologue is out of the way, you can get to your main story. But wait. There are some cardinal rules about regular beginnings, too. Kidlit tells you how to Fix Your Beginning by giving a list of things to avoid.

Beginnings need to be razor-sharp and brief. The Blood-Red Pencil gives details on this in Part 1 of their series on Big Edits.

Don't let these scare you out of starting a novel, though. Worst-case scenario: you use one of the forbidden beginnings and you'll need to edit it later. :)