Showing posts with label planning. Show all posts
Showing posts with label planning. Show all posts

March 13, 2012

In Case You Didn't Know...

I'm pregnant. Baby Casey #3 is due September 21 and we're SO excited.

Unfortunately, the hormones turn my brain to mush and writing is a lot slower. I'm still making progress on The Fairy Tale Twist, though. It should still come out late this summer. (It'd better. I'm taking a break when baby gets here. A month, maybe two.)

So to everyone who has asked me, "How do you do it?" The answer is: "Very slowly, but I move forward."

I figure as long as I'm moving (and not moving backward), I'm still a writer, right?

August 17, 2011

Finished a Book? Congrats! Now Do it Again.

Before I start, if you're not participating in WriteOnCon, why not?!

That said, I finished my book!

Roses and Mirrors has been done for a while. (This is the book about a sarcastic teenager that gets stuck in a fairy tale. You may have heard of her. Her name is Ivy Thorn and she is awesome.)

I jumped into the query process as soon as I was finished. I blogged about it not too long ago, about how I thrive on rejection and all that happy-sounding stuff. The truth is, rejection really is great. It's the gap of silence between sending the query and hearing a response that is absolutely maddening.

Seriously. And some agents tell you: If we decide to pass, you won't hear back from us. At all.

Really? REALLY? You can't send me a polite form rejection?! How will I know when to stop hoping for a reply? (I know, I'm pathetic.)

But I digress...

Now that I'm done with Roses and  Mirrors, and it's been sent out into the world, I'm moving on. My next book is completely different. That's right, I've gone from fairy tales to zombies.

But before you roll your eyes and say, "I don't like zombies," you should know that this isn't true horror, it's not gross for the sake of gross, and it's not totally far-fetched. This is a character-based story with a strong, witty voice (if I do say so myself) about a guy who happens to struggle with zombism. (If that's not a word, I will take it upon myself to coin it and spread it around the world because it is an awesome word.)

So, I'm working on this book, and when I say "working on" what I really mean is nailing down my premise and researching and building structure so my novel has something to stand on. I'm geeking out over all the cool little facts on biology and pathogens and parasites and neurotransmitters and especially the way the brain works, but I know that very little of it will be in the actual book. Because, let's face it, most people are not as dorky as I am.

But I have to know this stuff. I have to know exactly how my zombies work, where they came from, and--most importantly--where their weaknesses are.

The toughest part about this process is having the ideas and possibilities swirl around in my head. I can't possibly use all of them and I'm not even sure which ones will work.

So my muse is a little crazy right now. My creative side takes a back seat while logical me builds a playground. Creative Muse gives input, but it's about as much input as a kid gives to his dad for how he wants his tree house to look. It still needs to be safe and functional.

That's right. No chocolate milk fountain. :(

May 21, 2011

Getting A New Novel Idea ... Zombies

One night during conference weekend, I was trying to fall asleep, when I heard one of those voices in my head. A new character. A new story. I heard the opening to a book I never thought I'd write. A zombie book.

Not being one to take lightning for granted, I wrote down the 150 words or so. Lightning struck twice. Three times. More and more. (I didn't sleep much that night.)

Over the rest of the weekend, even more until I had layer upon layer of conflicty goodness.

Since I was at the conference with a master of zombie writing, Jonathan Maberry, I talked to him about it. He said the idea was really good, and to his knowledge, hasn't been done before. (Wow)

I'm building it, all while working on getting Ivy ready for submission. I'm enjoying working on both. They're in such different stages, I don't feel like I'm spread too thin. The books are so different, they don't blend together.

So there you have it. Be on the lookout for my new zombie book. I'm pouring everything I've got into it.

October 27, 2009

Good Story Ideas and Great Characters

Here are a couple of articles about getting started--getting ideas and getting good characters. I know it's a little late to post this (for those of you doing NaNoWriMo), but the articles are good and I think they're worth a look. If you are writing a novel in November, consider this a checklist.

First, You Need a Good Idea. gives a great checklist for what a good story idea is. One thing writers need to realize is this: even if you have the BEST idea for a book, if it's not a story that gets you pumped, if it's not a story that gives you chills or makes you giddy, it's not a good book for you to write.
I could never have written Dan Brown's books, even if I had had the ideas first. I just wouldn't have done as good a job.
I think this is why we as writers probably shouldn't worry too much about people stealing our story ideas. There are exceptions, of course. Don't be careless ;)

Second: Show Some Character! This article focuses more on characters of YA fantasy, but I think the advice can be applied across the board. Make sure that your characters work hard for their happy endings. It's important that your readers connect with your main character. This is a great article that analyzes a common problem that doesn't get addressed very often.

October 19, 2009

How to Get Great Ideas and What to Do With Them

Each of us has a creative side. You wouldn't be reading this if you didn't. It's that little voice in the back of your head that throws out ideas. I call mine my Muse and I've talked about her before. (Yes, my Muse is a she.)

I was thinking about what makes my Muse "sing". Typically, if your creative voice is on, your cognitive, logical voice has to be turned off. If you're familiar with right-brain, left-brain research, this is exactly what I'm talking about. Your left brain has to take a back seat if your right brain is going to have any say. (Sometimes transition is pretty quick. There are exercises you can do to help with this.)

So how do you hand the microphone to your Muse? How do you turn off the left brain?
By doing something mundane, everyday, or mind-numbing. Sounds fun, right?

My Muse hates to be bored, so when the left-brain turns off, she steps forward and tries to make things interesting. (This is why TV usually isn't a great way for me to brainstorm. My Muse is already entertained.)

So if I need some good ideas, I have to do something like fold laundry, go for a walk, rake leaves, stare at a blank computer screen, or try to fall asleep. (Unsuccessfully. Usually. I do get some awesome dreams on occasion.)
It's darn inconvenient, but I get my best ideas as I'm drifting off to sleep. (A great reason to keep a notebook handy on my nightstand.) For example, last night I was trying to sleep while my husband was reading with the light on. And a voice came into my head. Not a literal voice, just words that had personality. And the personality wasn't mine. I had struck gold!

Unfortunately, my daughter had run off with my notebook. I didn't go and look for it and of course, I don't remember the whole thing. But I'd like to share my train of thought and the words that I do remember.

I was thinking about how to begin my story. I have a premise in mind and several scenes planned out, so I wasn't starting from nothing. My mind drifted to books that I love. Ella Enchanted by Gail Carson Levine is my favorite and it's young adult fantasy, just like Phantom. Ella Enchanted started just outside the story with the first-person narrator talking about something that happened before the story actually begins.

The other book I thought of was The Lightning Thief by Rick Riordan. I loved this series. It was the series I wish I had written. Anyway, the book starts with Percy (the main character, also in first person) talking directly to the reader. He tells us something about the main theme of the book and beautifully melds his world with ours.

So then I moved back to my book. I'm pretty sure I want to do first person. I write better characters and cleverer detail that way. I wanted to begin my books like Riordan and Levine did.

That's when my Muse sang. (Not literally. I'm not crazy.)

The words for the beginning of my story popped into my head. My memory only recalls bits and pieces, but here's what I have:


My school is haunted. They should have seen it coming, building a boarding school where a prison used to be.
That's all I remember. Sad, huh?

So let that be a lesson to you. It's always worth getting out of your nice warm bed to go get a pen and pad when an idea hits you. Make yourself do it. You won't be sorry.

October 6, 2009

Making Time to Write

This month, I've had to give myself a good swift kick in the pants about sitting down and writing. Apparently, I'm not the only one. Usually, I would get on the computer, thinking I would write, but of course I had to check my email. And Facebook. And my writing blogs of course. And my critique group forums. And...

Yeah. Before I knew it, the baby was awake again and I hadn't done any writing. (Shameful, I know.)

So my new policiy is: I check email and all that in between getting breakfast for Rebecca, prepping for dinner, and if she watches a movie quietly I'll do it then. I also get chores done during this time. (I do the dishes while she eats breakfast. It works out nicely.) Also, if she sleeps in, I can get a lot done in that first hour of my day.

But when she takes a nap, that's it. Put everything else aside, it's writing time. I got a lot done today. I worked on my book for an hour and a half, which I thought was pretty good, then I ate some lunch. Cause I was hungry. :)

October 5, 2009

Prepping for NaNoWriMo

This past week, I've been working through Think Sideways from the beginning. I'm currently working through the (numerous) modules that come with lesson 7. I already have some good stuff brewing: characters with needs, I'm beginning to see some depth in my characters, I have a handful of scenes in mind, there's already a lot of conflict, and a ton of cause and effect.

One module has you take the main conflict and find "organic conflict" that sprout from the planned stuff. You match up characters' wants and actions and find the effects of those wants as they clash to create new conflict and new scenes. It's really fun to see what pops up from my Muse.


If I work hard, I think I can get through all the planning stages of Think Sideways before NaNoWriMo starts.

Are you going to do NaNoWriMo? Look me up! My username is jollygreen23.

October 1, 2009

Coping with Rejection as a Writer

The rejections are coming in. Some are more helpful than others. Each rejection tells me one of two things: either the story isn't a good fit for the agent, or my writing needs some improvement.

And I'm okay with that. No agent has told me, "Please never send me any more of your material. You'll never get good enough." I will get better. It may be that Shadow Bound is the book that will get me published. It may be the next book. Or maybe not. As long as each book is better than the last, I'm happy. For now. ;)

Whether I get an agent for Shadow Bound or not, I'm starting the early planning stages of my next project: Phantom. I'm so excited about this book. I've already worked through lesson 6 of How to Think Sideways, using whatever I can apply to this new project. I'm really pumped about this one. I'm really going to focus on voice and character with this one. There's always room for improvement with voice and character.

Anyway, I know some of you are dealing with rejection, so over the next couple of days I thought I'd share some posts that I've found helpful.
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